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Directed, filmed, and edited by Masha Zabara '21
Thanks from Bard
Directed, filmed, and edited by Masha Zabara ’21
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For more than a century and a half, donor support has helped Bard College change lives with discoveries that improve the world, with knowledge that enlightens and inspires, and with an educational environment that prepares students for lives of impact.
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Your Gift Supports:
100% of Students
100% of Faculty and Staff
100% of Classrooms
100% of Facilities
Photo by Chris Kayden
Faculty at the Top of Their Fields
Members of the Bard faculty inspire our students in the classroom. They are thought leaders investigating the most critical questions in their fields. Bard faculty awards and honors have included: the French Legion of Honor, GRAMMY awards, Guggenheim Fellowships, Kennedy Center Honors, MacArthur Foundation Fellowships, the National Book Award, National Science Foundation Grants, the Nobel Prize, Pulitzer Prizes, Rhodes Scholarships, the Royal Society of Literature, and Tony awards.
Photo by Pete Mauney ’93 MFA ’00
State-of-the-Art Science Facilities
Students taking courses in science, mathematics, and computing at Bard have use of exceptional facilities and the latest equipment. The Reem-Kayden Center for Science and Computation features seven smart classrooms and nearly 17,000 square feet of laboratory space with state-of-the-art biology and chemistry equipment. The computer science space includes cognitive systems, robotics, and hardware teaching labs.
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Excellence in the Arts
At Bard, students get the best of both worlds: an excellent liberal arts education and one of the finest arts schools in the country. Arts students study and work with active, distinguished professionals in their fields. All of the arts programs unite a study of craft with history, theory, and criticism. From the Frank Gehry–designed Fisher Center for the Performing Arts to the László Z. Bitó '60 Conservatory Building, world-class facilities support top-level artistic training in the context of a liberal arts education.
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Bard College Fund | Financial Aid
The availability of financial support can considerably enhance the educational experiences and opportunities for many talented students who might otherwise be unable to access higher education. One way the Bard College Fund supports Bard students is through scholarships, awards, and prizes, which help enable them to pursue their academic and professional dreams without the burden of financial constraints. This aid reduces their economic pressures and fosters an environment of inclusivity and diversity within Bard's campus. Bard is continually grateful for the generous contributions from its donors, as each donation plays a significant role in sustaining Bard's successes. Every contribution, regardless of size, makes a significant difference in the lives of students.
NEWSROOM
Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center
Baldwin’s multidisciplinary and research-based work uses textiles and drawings to create serial and narrative forms, and focuses on the impossible dream of utopia.
Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center
Mara Baldwin, visiting artist in residence in Studio Arts at Bard.
Post Date: 06-20-2025
US-China Music Institute Awarded Grant from Cyrus Tang Foundation
The funding will support numerous cultural exchange activities and performances throughout 2025.
US-China Music Institute Awarded Grant from Cyrus Tang Foundation
The Bard East/West Ensemble. Photo by Chris Kayden
The upcoming China tour is part of the broader work of the US–China Music Institute, in collaboration with partners in the US and China, to promote cultural bridges through the universal language of music, showing that cooperation can flourish between people with different cultures, traditions, and ideas. During the two-week tour in China, the Bard East/West Ensemble will be hosted by music schools in the cities of Zhuhai, Guangzhou, Shanghai, Wujiang, and Hangzhou, where master classes, community engagement events, and musical performances are planned. The tour will conclude in Beijing with a week at the Central Conservatory of Music, US-China Music Institute’s longtime partner institution. The musical repertoire includes new arrangements of both Chinese and Western compositions including Aaron Copland’s Appalachian Spring, Zhou Long’s King Chu Doffs His Armor, Matthias Duplessy’s Zhong Kui’s Adventures, and more, as well as new works commissioned for the ensemble.
The Bard East/West Ensemble is a dynamic and original music group that brings together the essence of Chinese and Western soundscapes to create a new model of cross-cultural performance. The ensemble’s founder and artistic director, Jindong Cai, has devoted his career as an orchestra conductor and educator to advocate for the development of Chinese music in the West. The ensemble aims to combine Eastern and Western musical traditions, and is committed to performing arrangements and original works with unique instrumentation, thereby creating a new realm of musical expression. Cultural exchange and cross-cultural understanding are at the root of the ensemble’s mission to improve US-China relations by using music to bridge divides, deepen understanding, and inspire connection between people in both countries. barduschinamusic.org/bard-eastwest-ensemble
The Cyrus Tang Foundation, a nonprofit organization based in Las Vegas, was established in 1995 to support initiatives that drive impact across education, healthcare, community development, and other underserved areas. The organization was inspired by the vision of its founder, Cyrus Tang, a successful businessman and philanthropist who envisioned a world where everyone would be empowered to make a difference and carry forward a spirit of giving back. cyrustangfoundation.org/
Post Date: 06-10-2025
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Bard College Celebrates Student Achievements at Undergraduate Awards Ceremony
Bard College Celebrates Student Achievements at Undergraduate Awards Ceremony
Faculty, staff, and students gathered at Blithewood Manor for this year’s Undergraduate Awards Ceremony, which was held on Monday, April 28. The annual ceremony is a celebration of the incredible talent and dedication showcased by Bard students, as well as the unwavering support and guidance from esteemed faculty and staff at the College. The evening's awardees, who were nominated by faculty from across the four divisions of the College, represent excellence in the arts; social studies; languages and literature; and science, mathematics, and computing. Among the awardees were students in the Bard Baccalaureate, a program for older students returning to college to finish their undergraduate degrees.Sierra Ford ’26 receives the inaugural Betsaida Alcantara ’05 Pioneers for Progress Award. Photo by Joseph Nartey ’26
The event featured remarks and award presentations from key figures, including President of the College Leon Botstein, Dean of the College Deirdre d'Albertis, Dean of Studies and Associate Vice President for Academic Affairs David Shein, and Bard Alumna Cara Parks ’05. A special highlight of the evening was the announcement of a newly established award in memory of a beloved Bardian, Betsaida Alcantara ’05, by the Class of 2005, family, friends, and loved ones who knew her. The inaugural Betsaida Alcantara ’05 Pioneers for Progress Award, in memory of Betsaida Alcantara '05 (1983–2022), who exemplified the best of Bard's hope to inspire people to be passionate agents of change, pioneers for progress, and advocates for justice for those most in need was given to Sierra Ford ’26 who has demonstrated strong leadership skills, a commitment to public service, and support for open societies.
The presentation of awards was a moment to acknowledge and celebrate the exceptional academic achievement, leadership, and commitment demonstrated by Bard students. It was a testament to their hard work and perseverance, which defines the spirit of Bard College and serves as an inspiration to us all.
Many of the undergraduate awards are made possible by generous contributions from Bard donors. Thank you to all our supporters for believing in the value of a college education, and for investing in the future of Bard students.
Post Date: 04-30-2025
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Bard Center for the Study of Hate Awarded GS Humane Corp Grant for Summer Internships
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Bard College Junior Lauren Mendoza ’26 Wins Goldwater Scholarship
Bard College Junior Lauren Mendoza ’26 Wins Goldwater Scholarship
Bard College is pleased to announce that Bard junior Lauren Mendoza ’26, a double major in physics and philosophy, has been announced as a recipient of the 2025 Barry Goldwater Scholarship. The scholarship supports college sophomores and juniors who intend to pursue research careers in the natural sciences, mathematics, and engineering.Lauren Mendoza ’26.
Mendoza currently conducts research in astrophysics with Professor Clara Sousa-Silva and had previously conducted research in nanofabrication with Professor Paul Cadden-Zimansky. After graduating from Bard, she hopes to pursue a Ph.D. in astronomy with a focus on the solar system and instrumentation, and aims to promote effective scientific communication between academics and the wider public.
The Barry Goldwater Scholarship and Excellence in Education Foundation, established by Congress in 1986 in honor of Senator Barry Goldwater, aims to ensure that the U.S. is producing highly-qualified professionals in the natural sciences, mathematics and engineering. Over its 30-year history, Goldwater Scholarships have been awarded to thousands of undergraduates, many of whom have gone on to win other prestigious awards such as the National Science Foundation’s Graduate Fellowship, Rhodes Scholarship, Churchill Scholarship and the National Defense Science and Engineering Graduate Fellowship that support the graduate school work of Goldwater scholars. Learn more at https://goldwaterscholarship.gov/
Post Date: 04-02-2025
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The Fisher Center at Bard, in Partnership With the Civis Foundation, Establishes the Civis Hope Commissions, an Endowed Fund That Will Support New Performing Arts Works Exploring the Subject Of Hope
The Fisher Center at Bard, in Partnership With the Civis Foundation, Establishes the Civis Hope Commissions, an Endowed Fund That Will Support New Performing Arts Works Exploring the Subject Of Hope
Fisher Center LAB, one of the country’s leading multidisciplinary producing organizations, offering extraordinary support to artists to realize ambitious and visionary projects, has received a landmark gift from Civis Foundation to establish the Civis Hope Commissions. The gift creates an endowed commissioning fund that will support, in perpetuity, the development and production of major new works in the performing arts that explore the subject of hope. These productions will have a common framework: They will support contemporary artists who will examine, interrogate, and transform American artifacts, archival materials, or artworks from the past to imagine a more perfect, just, and hopeful future.The Richard B. Fisher Center at Bard College. Photo by Peter Aaron ’68/Esto
Projects supported by the Civis Hope Commissions will be developed, produced, and premiered at the Fisher Center at Bard, a landmark Frank Gehry-designed performing arts center on the campus of Bard College, and will subsequently tour nationally and internationally.
The Civis Hope Commissions will be supported by a gift of $2.5 million from Civis, doubled by matching funds at Bard College to create an initial endowment for this program of $5 million. With the establishment of this Fund, Fisher Center LAB’s track record of artistic excellence and Bard College’s educational mission are united with the ideals of Civis, a foundation that supports artistic and cultural expressions investigating what it means to live amongst others.
Inaugural Commissions Announced
The Fisher Center at Bard, today, announced the first three Civis Hope Commissions, which Fisher Center LAB—the Fisher Center’s residency and commissioning program—will develop, produce, and premiere. (The LAB will also tour productions nationally and internationally, so they reach the broadest possible audiences.)
These first three commissions bring together outstanding contemporary artists who will respond to artworks from the past and, in doing so, develop three timely stories of young women—Treemonisha, Catherine Holly, and Yentl—who dare to challenge the status quo. These commissions will be produced over the next three years, with announcements of dates to follow.
The first commission is Jubilee, a new musical by Pulitzer Prize-winning playwright Suzan-Lori Parks (Topdog/Underdog), inspired by Scott Joplin’s Treemonisha, and directed by Steve H. Broadnax III. It joins the lineup of SummerScape 2025, the “hotbed of intellectual and aesthetic adventure” (The New York Times), as a semi-staged, first-glimpse preview. Replete with dancing bears and bags of luck, and set on the day after the Emancipation Proclamation, Jubilee joyfully asks what the world might become when all people are truly free. Parks has drawn inspiration from Joplin’s 1910 ragtime opera to create a magical, hilarious, and timely fable about a young woman who leads her community out of adversity and into a new way of being. This summer’s public readings of Parks’ libretto will offer audiences a rare opportunity to engage directly with the development of a major new musical, which the Fisher Center will premiere as a full production in the near future, once a composer has been chosen to write music for the project.
The second commission is the world premiere of an opera based on Tennessee Williams’ play Suddenly Last Summer, his Southern Gothic one-act play set in the Garden District of New Orleans in 1936 that tells the dramatic story of the wealthy Venable family, and a young woman’s struggle to speak truth to power. Suddenly Last Summer is composed by MacArthur Fellow and “pianist and composer of panoramic interests” (The New York Times) Courtney Bryan and directed by Tony nominee Daniel Fish (whose acclaimed Oklahoma! was commissioned and premiered at Bard SummerScape before being presented at St. Ann’s Warehouse and eventually transferring to Broadway and the West End). Fish co-writes the libretto with Fisher Center Artistic Director and Chief Executive Gideon Lester.
The third commission will give new form to a work by a second American literary legend: Isaac Bashevis Singer’s whimsical and mysterious story Yentl the Yeshiva Boy is given thrilling theatrical life in a new musical conceived by acclaimed theater and opera director Barrie Kosky and two-time Tony-winning writer playwright, performer, and author Lisa Kron. Fun Home lyricist/book-writer Kron likewise pens the book and lyrics for this new adaptation, with music composed by frequent Kosky collaborator Adam Benzwi, adapting and transforming melodies from the American and European Yiddish theater and music hall traditions, as well as the emotionally resonant canon of Hasidic choral music. Kosky, “one of the busiest and most brilliant, not to mention entertaining, directors working… today” (New York Times), stages the world premiere adaptation of Singer’s story of a teenage girl in a Polish shtetl who, in order to be true to herself, decides to live as a boy and pursue her forbidden dream of studying Torah.
More About the Civis Hope Commissions
The launch of the Hope Commissions coincides with the 250th anniversary of the founding of the United States and the signing of the Declaration of Independence, the inspiring, if flawed, charter that called for an end of tyrannical monarchy, and in July 1776, declared: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”
This approaching anniversary offers a chance to reflect anew on the words of the Declaration, and to ask: How can we help expand the meaning of these words to apply more equitably to all people? What do we dream the US might become in its second 250 years? What does ‘hope’ mean for us now? Inspired by James Baldwin, who wrote, "To encounter oneself is to encounter the other," and “Each of us, helplessly and forever, contains the other," the Civis Hope Commissions will explore how we engage with others, how we embrace “the other,” as part of “we the people,” and how we retain hope for American democracy that embraces all.
“From ancient times, theater and the performing arts have always functioned as a laboratory of hope,” says Fisher Center Artistic Director and Chief Executive Gideon Lester. “Artists help us to imagine new ways of being in the world, and art can awaken our consciousness. In some of the most turbulent chapters of human history, live performance has been a vital source of hope, resistance, transformation, and joy. Thanks to the generosity of T. Eric Galloway and the Civis Foundation, generations of audiences and students will be able to explore this eternal relationship between art and hope.”
“We are profoundly grateful to Eric Galloway and Civis Arts and Letters for their visionary philanthropy,” said Leon Botstein, President of Bard. “The subject of this new program, and the generosity of its endowment, will help secure the vital role that the arts must play in highlighting the virtues, rights and privileges of a democracy by sustaining a vibrant, shared public sphere, which is the hallmark of freedom.”
“Given our commitment to advancing ‘the common good,’ Civis applauds how Bard and the Fisher Center have embraced the Hope Commissions,” said T. Eric Galloway, President of Civis. “We believe more than ever in the power of performance to activate our shared connection and to spark cross-boundary conversations that lead to personal fulfillment through, not despite, others.”
Fisher Center LAB, which develops, produces, and premieres the commissions, has established an international reputation for its new works and revivals that offer bold interpretations of documents from the past, reinventing them for the future. From Daniel Fish’s Oklahoma! to SCAT!, Jawole Willa Jo Zollar’s dream of the Great Migration, to Pam Tanowitz’s meditation on T. S. Eliot’s Four Quartets and the Biblical Song of Songs, to Justin Peck and Jackie Sibblies Drury’s dance-theater adaptation of Sufjan Stevens’ album Illinoise, the Fisher Center LAB’s commissions have long reached into the past to weave compelling and urgent visions that speak to our times and face the future. The distinguished Bard Music Festival and the Fisher Center’s opera program also focus on the reexamination and reclamation of past works for contemporary audiences—creating a context-rich program across all disciplines of the performing arts on the campus of one of this country’s most prestigious liberal arts institutions.
The Civis Hope Commissions will secure this legacy for future generations, providing generous development and production support in perpetuity for Fisher Center LAB’s major artistic commissions in theater, dance, and live arts. Civis, through its collaboration with the Fisher Center, hopes to imagine and, in doing so, make a future in which all can pursue true happiness more possible.
About Civis Foundation
Civis advances the common good by supporting Arts & Letters initiatives that foster awareness of and responsibility for our interdependent future. Guided by a commitment to civic awareness and responsibility, we invest in work that aspires to demonstrate how turning encounters with the other into authentic relationships is foundational to a sustainable, just, and equitable society. We pursue our work directly and in collaboration with others whose missions align with ours.About the Fisher Center at Bard and Fisher Center LAB
The Fisher Center is a premier professional performing arts center and a hub for research and education that demonstrates Bard College’s commitment to the performing arts as a cultural and educational necessity. To support artists, students, and audiences in the examination of artistic ideas, the Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire.
Home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. This world-class theater building will be complemented by a new studio building designed by Maya Lin, scheduled to open in 2026. More than 200 events and 50,000 visitors are hosted at the Fisher Center each year, and over 300 professional artists are employed annually. As a powerful catalyst of art-making regionally, nationally, and worldwide, the Fisher Center produces 8 to 10 major new works in various disciplines every year. The Fisher Center offers outstanding programs to many communities, including the students and faculty of Bard College, and audiences in the Hudson Valley, New York City, across the country, and around the world. Building on a 165-year history as a competitive and innovative undergraduate institution, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders.
Through Fisher Center LAB, the Center’s acclaimed residency and commissioning program, artists are provided with custom-made support toward their innovative projects, and their work has been seen in over 100 communities around the world. Resident choreographer Pam Tanowitz’s 2018 Four Quartets was recognized as “the most important work of dance theater so far this century” by The New York Times. In 2019, the Fisher Center won the Tony Award for Best Revival of a Musical for Daniel Fish’s production of Oklahoma!, which began life in 2007 as an undergraduate production at Bard and was produced professionally by the Fisher Center in 2015 before transferring to New York City. Illinoise, a 2023 Fisher Center world premiere from artists Sufjan Stevens, Justin Peck, and Jackie Sibblies Drury, was recognized with a Tony Award for Best Choreography following its tour and transfer to Broadway.
The Fisher Center is generously supported by Carolyn Marks Blackwood and Gregory H. Quinn, Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, Felicitas S. Thorne, Andrew E. Zobler, the Advisory Board of the Fisher Center, Fisher Center members and general fund donors, the Educational Foundation of America, the Smokler/Hebert Family Fund, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. Fisher Center LAB is funded by the Lucille Lortel Foundation and the Fisher Center's Artistic Innovation Fund, with lead support from Rebecca Gold and additional funding from The William and Lia G. Poorvu Family Foundation. The Pam Tanowitz Creation Fund is supported by the Friends of Pam with leadership gifts from an anonymous donor, Angela Bernstein CBE, and Lizbeth and George Krupp. Major development support for the Fisher Center’s Hope Commissions is received from the Fisher Center’s Hope Commissions Fund, endowed by the Civis Foundation and Bard College.
Post Date: 04-01-2025
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Bard College Senior Blanche Darr ’25 Wins Prestigious Watson Travel Fellowship
Bard College Senior Blanche Darr ’25 Wins Prestigious Watson Travel Fellowship
Bard College senior Blanche Darr ’25 has been awarded a prestigious Thomas J. Watson Fellowship, which provides for a year of travel and exploration outside the United States. Continuing its tradition of expanding the vision and developing the potential of remarkable young leaders, the Watson Foundation selected Darr as one of 37 students in the 57th Class of Watson Fellows to receive this award for 2025-26. The Watson Fellowship offers college graduates of unusual promise a year of independent, purposeful exploration and travel in international settings to enhance their capacity for resourcefulness, imagination, openness, and leadership and to foster their humane and effective participation in the world community. Each Watson Fellow receives a grant of $40,000 for 12 months of travel and independent study. Over the past several years, 27 Bard seniors have received Watson Fellowships.Blanche Darr ’25.
Blanche Darr ’25, an anthropology major and violinist in the Bard College Conservatory, will spend a year expanding her musical vocabulary for her Watson project, Reimagining Music-Making as a Way of Life. She will travel to Kenya, Indonesia, India, and Germany to examine barriers to music-making such as access, cost, and elitism, and, by joining international music education programs, explore ways to overcome them. “Learning to play music in a variety of settings and traditions will allow me to meet students with a wider ear for their musical vocabularies, experiences, and goals,” Darr writes in her proposal. “In the United States, music-making is something that is usually only for those with time, money, and some supposed talent. I wish to challenge this idea, looking at music-making around the world that is more participatory, improvisational, and connected to communities. I hope that this will provide me with a deeper understanding of the ways that people can make music integrated in daily life.”
A Watson Year provides fellows with an opportunity to test their aspirations and abilities through a personal project cultivated on an international scale. Watson Fellows have gone on to become leaders in their fields including CEOs of major corporations, college presidents, Emmy, Grammy and Oscar Award winners, Pulitzer Prize awardees, artists, diplomats, doctors, entrepreneurs, faculty, journalists, lawyers, politicians, researchers and inspiring influencers around the world. Following the year, they join a community of peers who provide a lifetime of support and inspiration. For more information about the Watson Fellowship, visit: https://watson.foundation.
Post Date: 03-20-2025
Endowment Challenge
George Soros and the Open Society Foundations have pledged $500 million for Bard’s unrestricted endowment.
This pledge ranks among the largest commitments to higher education in the United States in recent memory.
The pledge has challenged Bard to raise an additional $500 million over five years for its endowment. In April 2021, the College publicly announced that the first half of that amount, $250 million, was raised from trustees, alumni/ae, and friends, all of whom have made their own pledges due to their belief in Bard’s distinctive mission.
The pledge has challenged Bard to raise an additional $500 million over five years for its endowment. In April 2021, the College publicly announced that the first half of that amount, $250 million, was raised from trustees, alumni/ae, and friends, all of whom have made their own pledges due to their belief in Bard’s distinctive mission.